Spotlight on the Annual Open: A catch up with artist Khana Evans

Spotlight on the Annual Open: A catch up with artist Khana Evans

Khana Evans is a self taught portrait painter from Somerset. Working in oils, she creates portraits in a traditional style with inspiration by artist such as J. H. Lynch, Louis Shabner, and the old masters, creating artwork often celebrating subcultures and working-class British life.

Last year Khana's piece 'Chelsea Cut' was exhibited in the 172 Annual Open Exhibition.  In this Q&A Khana discusses traditional oil painting, celebrating British subcultures, and her experience in the RWA Annual Open Exhibition.

The exposure helped me grow a loyal community of collectors and people who genuinely connect with my art.  Khana Evans

What was it like being an artist in the Annual Open? 

Being part of the 172 Annual Open Exhibition was an incredibly rewarding experience and I definitely have a few memorable moments. The one that stands out is Varnishing Day, which is when you get to see your work on the gallery wall for the first time.

Having my work selected for the exhibition also gave me a real sense of validation and confidence in my creative practice. I also really enjoyed connecting with other artists, it was nice to meet people who come from different backgrounds but share the same love of art.

Your artwork, 'Chelsea Cut' was selected to be the lead image for the show and was on posters and in magazines across Bristol and the South West . How did it feel seeing your artwork in the wild? 

It was honestly surreal seeing ‘Chelsea Cut’ out in the world like that. I never even imagined my work would get picked for the show let alone be used as the lead image. Seeing it on posters, in magazines, and across Bristol made the piece feel like it had a life beyond me. It definitely had an impact, people who wouldn’t normally step into a gallery were suddenly engaging with the work and messaging me about it. The exposure helped me grow a loyal community of collectors and people who genuinely connect with my art.

Khana next to her artwork 'Chelsea Cut' in the 172 Annual Open. Photo credit Khali Ackford/KoLAB Studios

How has being part of the 172 Annual Open Exhibition impacted your practice going forward? 

The experience definitely gave me a lot more confidence in my artwork and encouraged me to take my work more seriously.

Having my art shown on such a public scale made me realise how important visibility and connection is. The experience also introduced me to other artists and creatives, which was incredibly inspiring and motivating. I learned the value of putting my work forward for opportunities, even when crippling self-doubt takes hold, because you never really know where a piece might lead. I’ve recently begun expanding my practice through printmaking, it’s my new favourite thing! 

1.     Do you have any words of encouragement or advice for other emerging artists who are pursuing opportunities?

Put yourself out there, even when you feel unsure of yourself or your work. What’s the worst that could happen?

Keep creating art that feels genuine to you. Don’t waste your creative energy trying to please everyone else, that’s the fastest way to lose your love for what you do. The right audience will find you eventually.

Building connections with other artists and becoming part of creative communities can make a huge difference too, both personally and professionally. It's always good to have arty friends in your life.

What’s next for you?

Right now I’ve got a few exciting projects coming up, including several artist collaborations. I’ve also been commissioned by a writer in New York to create artwork for a book that will be published later this year. I also have a solo exhibition at Weston Museum next year, which I’m really excited about.

Alongside these projects, I’m continuing to apply for open calls and I'm selling both prints and original artworks. I’m staying busy and focused on getting my work out into the world in as many ways as I can, and reaching new audiences.

Find out more and submit your work to the 173 Annual Open Exhibition. Deadline for applications is 22 June 2026.