Featuring artists such as Augustus John, William Orpen and John Everett, Inquisitive Eyes reveals, for the first time, the importance of the Wessex landscape during a pivotal moment in British art.
In the early twentieth-century, a group of radical artists who were associated with the Slade and New English Art Club, explored and expanded the boundaries of art while roaming the hills around Purbeck. This rural Dorset retreat played host to an informal artists’ ‘colony’ - evidently as significant as St. Ives or Newlyn, but hitherto unrecognised.
This ground-breaking new exhibition of works, produced during this fascinating period, offers new insight into the development of British art.
The exhibition also features major works by Roger Fry and Vanessa Bell, whose depictions of the Wessex coastline afford an intriguing comparison with the previously assumed ‘modern’ work of the Slade painters, suggesting that the modernist battle was, in fact, waged upon the beaches of Dorset.
Curated by Gwen Yarker, Inquisitive Eyes is supported by the Foyle Foundation and the Paul Mellon Centre for British Art and is held in partnership with the National Maritime Museum, Greenwich (NMM). Loans will include major works from national collections including the NMM, the British Museum and the National Portrait Gallery, as well as privately owned works by Philip Wilson Steer, Henry Tonks, William Orpen and Vanessa Bell – some unseen for generations.
Running alongside Inquisitive Eyes:
Imagined Landscapes explores a contemporary notion of ‘place’ in relation to the English landscape, featuring fictional topographies, ancient sites, transparent borders, fluid spaces and real places. Here, selected artists blend fact and fiction/myth and memory, within a variety of media, mapping the landscape as storytellers, cartographers and cultural geographers.
Simon Quadrat PPRWA NEAC
This intimate exhibition features works by past-president Simon Quadrat, ex-Slade student and the newest member of the NEAC.